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Holy Grail

This Almost 200-Year-Old Lighting Trick Is Still Every Designer's Secret Weapon

Words by Olivia Lidbury
a dining room table with a vase of flowers on it

Photography by Tim Lenz; Design by Ursino Interiors

Getting lighting levels just right can border on scientific.

From a mix of task sources to ambient and low-level glows, there’s a reason setting the mood requires a delicate dance. But with a picture light, you always know what you’re getting.

Originating from the 19th century, when they were essential to illuminate oil paintings, their use hasn’t changed all that much since. Step into any gallery or chic restaurant and chances are a downward glow cast from a linear source will atmospherically accentuate whatever’s on the wall.

Naturally, Experts love them. Marianne Brown of W Design Collective has a penchant for installing one in an entry or a vestibule where there’s a dedicated spot for an artwork. “It’s such a nice isolated moment where a picture light almost always feels like the appropriate fixture,” she says. That said, beware of getting too picture-light-happy: “If they are repeated too much they don’t feel special or communicate the importance of the art or cabinetry that’s being highlighted,” she warns.

Go-to designs for industry insiders include the Elle and Dublin styles by Ireland-based Mullan Lighting. Each one is made in the company’s workshops and the popular antique brass finish is patinated by hand, lending an authentically aged feel. Discover how eight Experts deploy them to dazzling effect.

a living room with a fire place in it

Photography by Lauren Miller; Design by Ashley Montgomery Design

Metal Magic

Exuding the quality and performance of brand new fixtures while channeling the warmth and character of vintage pieces is what makes aged metal finishes such a crowd-pleaser. In this vignette by Ashley Montgomery, an antique brass-effect light harmonizes with the curation of handpicked objects.

a dining room table with a vase of flowers on it

Photography by Tim Lenz; Design by Ursino Interiors

Double the Illumination

"Using a picture light above a window offers an unexpected twist on its traditional placement. I love how it subtly accentuates a window’s width while casting a soft, linear glow that adds warmth and dimension," explains Maureen Ursino of the placement above the window lintels on these raw-brick walls.

a room with a chair and a painting on the wall

Photography by Malissa Mabey; Styling by Noel Knostman; Design by Susannah Holmberg Studios

Picture Lights for Punctuation

Picture lights don’t just illuminate—they can be used to ground otherwise neutral walls when not in use. In this transitional space by Susannah Holmberg, the angled light serves to anchor the artwork.

a living room filled with furniture and a large potted plant

Photography by Jared Kuzia; Styling by Annie DeSantis and Sara Ronna; Design by W Design Collective

Perfect Proportions

Bigger isn’t always better: the general rule is not to dwarf whatever it is you’re highlighting. Marianne Brown of W Design Collective has this hot tip for placement: “Pick a fixture that curves and points more towards the art. For sizing, typically the width of the picture light should be smaller than the width of the painting.”

a living room filled with furniture and a large window

Photography by Jonathan Bond; Design by Elizabeth Hay Design

Room to Breathe

Placing the light too close to the top edge of the frame may cast shadows on the artwork. As a general rule, the picture light should be around 6 to 7 inches above the picture frame. This exemplary set-up in a smart drawing room by Elizabeth Hay is at the optimum distance so that the bulb won’t overpower the art.

a living room filled with furniture and lots of books

Photography by Brie Williams; Design by Logan Killen Interiors

Get The Glow

Coupling directional lighting with mirrored panels creates a magically cozy setting come nighttime. In this welcoming living room, a vibrant green chosen by Logan Killen for the built-ins adds a hit of freshness.

a living room filled with furniture and a fire place

Photography by Tim Lenz; Design by J. Patryce Design

Mix it Up

They might be called ‘picture lights,’ but J. Patryce Design often specifies these fixtures around built-ins. “It’s a simple yet effective way to add focus, warmth, and intention to a space. For a recent project, we used a linear profile that complemented the millwork design,” explains principal Joan Enger.

a living room filled with furniture and a painting on the wall

Photography by Michael P.H. Clifford; Design by A1000xBetter

Embrace Eclecticism

Not all picture lights riff on traditional designs. Contemporary iterations, such as this sleek style favored by A1000xBetter, provide a crisp contrast against a richly patterned wall and an intricately detailed artwork.

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